Mean Pete--Head Honcho of Mean Pete Publishing

Wednesday, August 17, 2016

CURSE OF SKULL CANYON NOW AVAILABLE IN PRINT AND DIGITAL!


The second book in my new LONNIE GENTRY series is now available at Amazon and elsewhere as both an ebook and a beautiful hardcover published by Five Star.


Thursday, July 21, 2016

New Lou Prophet Book Now Available!



FROM THE KING OF THE SEXY, VIOLENT, FAST-PACED, HARD-DRIVING, ALL-ACTION WESTERN!

There’s a small war brewing in Carson’s Wash. On one side is the beautiful widow of the man Butters is accused of murdering. On the other side is the brutal saloon and mercantile owner, George Hill, who, Prophet is astonished to learn, is the widow’s own father! Phoebe Dahlstrom believes her father hired Charlie Butters to murder her rich husband, and she’ll stop at nothing to see both Butters and George Hill stretching hemp from the same tree.

There are so many factions at cross odds in Carson’s Wash, that Prophet doesn’t know which end is up, much less who’s trying to fill him so full of lead he’ll rattle when he walks!

From the book:

Standing naked in his tub now, Prophet aimed carefully and shot the third assailant through the man’s right temple. The man’s head jerked back sharply. Prophet heard his neck snap. The man plopped onto his ass and then onto his back and lay jerking near a dusty mesquite.
Prophet stood in the tub, dripping.
His own powder smoke wafted around him.
He looked around, gun still raised, listening for more assailants.
Footsteps rose beyond the front of the cabin. Turning around in the tub, Prophet exchanged his empty Colt for his twelve gauge Richards coach gun, and clicked both hammers back as he squared his shoulders at the front door.
Someone was approaching, walking now.
The footsteps stopped. Louisa edged a look around the door’s right side, peering into the bathhouse. She held a pretty, silver-chased Colt up high near her shoulder, hammer cocked.
Prophet depressed his shotgun’s hammers.
Louisa looked at the dead man lying near her, outside the front door. She looked at the dead man lying half in and half out of his bloody tub beside Prophet. She looked past Prophet toward the third dead assailant lying just beyond the washhouse’s back door.
She looked Prophet’s naked body up and down, glanced at the black water at his ankles, curled one half of her upper lip, lowered her Colt, and said, “You clean up right well, Lou.”
Prophet turned to the man who’d tried to give him a haircut. “I thought that hombre was sleepin’ just a little too sound!”



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Wednesday, July 20, 2016

Mean Pete's New Pal, Buddy


I'm going to write a complete essay about this fella soon. He came from Minnesota Aussie Rescue. He's had a tough first year, abandoned in the rural fields of Iowa. He doesn't like people much, but he does like cats and other dogs...and long walks in the country and swims in the lake. A good ole northern redneck, just like Mean Pete. We don't mind people, we just like them better when they're not around. I think of my last dog, also another rescue, Miss Sydney, every day. I lost her on May 9th to a stroke. I'm hoping Buddy and I will have a lot of good years together.



Friday, May 20, 2016

Pages from My Memoir in Progress--NORTHERN BOY

(I'm working on a memoir, NORTHERN BOY. I suspect I'll be working on it for a long time, as it takes shape in my mind and on the page. It's frankly pretty sprawling and really needs shaping. Anyway, I think I'm going to publish snippets from time to time here. These opening pages of the chapter "Young Vagabond" seem to have gotten taken over by my mother, which is fitting. She was a very strong personality and a person who loomed very large in my life, and still does. For good as well as for bad. While she's been gone nearly twenty years, I find myself thinking about her all the time.)

1.
Young Vagabond

I was born during a late-February snowstorm in St. Ansgar Hospital in Moorhead, Minnesota, just across the meandering, north-running Red River from Fargo, North Dakota. My parents, Orbin and Yvonne Brandvold, were living in a forty-foot mobile home in a court devoted to married student housing at North Dakota State University. My father was getting his undergraduate degree in agronomy.
It has always amazed me that I was born in a Catholic hospital, because my mother hated Catholics. Or, at least hated the Catholic-ness of many of the people she knew. She hated that Catholic-ness despite her father having been a Catholic until her mother had made him convert to Methodist. She hated that Catholic-ness despite her twin sister marrying a Catholic, a guy she otherwise loved and admired, at age eighteen. She hated Catholic-ness despite many of her cronies being Catholic themselves though she always tried and often managed to get an anti-Catholic dig into their conversations now and then, which never failed to make her happy.
I’ve never really understood what she hated so much about the Catholic faith. I asked her on many occasions, because I really wanted to understand, but my mother wasn’t always good at articulating her prejudices, of which she had many. I think a large component of her Catholic prejudice was the Pope. She saw him as mere a flesh-and-blood jake acting all “high and mighty.” Flouncing around in silk robes and carrying a big fancy stick and having folks kneel down to kiss his ring. She also didn’t like what she saw as all the pretentious hoopla of the Catholic service, though I can’t remember her ever attending a Catholic service outside of maybe a wedding or a funeral now and then. Throughout her entire life, my mother hated people who put on airs, who saw themselves, or who she perceived as seeing themselves, better than she, the daughter of an itinerant farmer and coal miner who grew up “barefoot poor” on the far northwestern prairie of North Dakota.
I think another reason she hated Catholics was because it got under her skin that, unlike she, who had converted to my father’s Lutheran Church, Catholics could attend church on Saturday night and then hit the bars all night long without having to worry about getting up to attend services with a hangover the next day.
The more I think about it, the latter reason is probably as real a reason as any that my mother hated Catholics. She loved partying in the bars of the North Dakota small towns we lived in during the 1970s. She’d grown up in a big, boisterous family in a tiny town, and I think the small town bar was an extension of that familial atmosphere. She loved to tell, over and over, about how a judge got so drunk one winter Saturday night in Napoleon, North Dakota, that he and a barmaid passed out together behind a propane stove. She far preferred people getting drunk and passing out and being “real” than people swaddled in expensive furs driving around town in big cars, their noses in the air.

My mother was extremely extroverted and social to an almost pathological degree.  She would have hated the idea of having to cut out of the party early because she had to get up for church the next morning. Right there was another rub against the Catholics. But, then, who knows why my mother hated one thing and loved another? More and more over the years after her death, I realize that there was very little about my mother that I fully or even partway understand, try as I seem obsessed with doing.

Sunday, May 8, 2016

"Stories My Mother Told"


My mother never met a grisly story she didn’t like. 
And she never met one she considered unfit for her children, no matter how young we were. In fact, she often retold these stories to my little sister and me with startling, sometimes morbid delight, as though she not only wanted to tell us stories of death and grisly destruction, but she considered it her parental duty to do so.
I’m not just talking about the vague imparting of mishaps in broad strokes, either. I’m saying she really got down there in the muck and with a keen reporter’s eye relayed calamities she’d heard from another party or recounted those that she herself had witnessed first-hand.
I once heard my grandmother tell about how “Daddy,” which is what she and everyone called my grandfather, had “cut himself with a hatchet” one day when the children were young, while he was out splitting firewood. For my mother, my grandmother’s tepid little generalized anecdote was much too murky and way too lacking in all the horror, dread, and grisly details of the actual event.
Though I and my sister were standing right there and I was probably only six years old—if that—and my sister was three years younger, my mother hopped right in with: “Oh, god—I remember that day so plainly! He buried that blade so far in his leg I didn’t see how anyone was ever going to get it out. I think Bud or Wayne finally got it out, but only after a lot of pulling and grunting--and oh my gosh, there was blood everywhere!”
“Oh, Yvonne--the kids!” my grandmother scolded my mother, jerking her head at my sister and me.
The admonishment didn’t derail our mother a bit. The proverbial horse was out of the corral and it was galloping across the back forty...
“I remember we got him into the car, that old Model-A we had, and we all thought for sure he was going to bleed to death before we got him to the doctor in Rugby--twenty miles over rough roads. He was as white as a ghost! And afterwards, when he was all sewn up and we got him home, we kids had to go out and clean the blood out of the car. I remember his boot was half-full of the stuff!” 
“Oh, Yvonne!” our grandmother admonished once more in defeat. 
But it was too late. The horse was heading for the neighbor’s filly, and the image of that bloody axe and the deep gash in our white-as-a-ghost grandfather’s face had been burned into my and my sister’s impressionable young brains. 
When I was maybe five years old, there was a middle-aged farmer named Boob Keller. Boob always dunked his fresh donuts in his black coffee, and I got a big kick out of that, the way little kids do. 
Boob was a big, tall, affable man with a bald head and huge ears and a long, broad nose and jutting chin. His light-blue eyes were always smiling. He’d tell the funniest jokes and stories while sitting around my aunt and uncle’s farmhouse kitchen, often with me on his huge knee. This is when my family was living in Rolette, North Dakota, and we spent a lot of time out on my aunt and uncle’s farm near Cando, where the old Minnesota Vikings running back, Dave Osborn, grew up. 
Anyway, Boob Keller, who always smelled like grease, pulled so many quarters out of my ears that I often thought I’d be rich if I could get at all the money that must have been rattling around inside my head. Boob would give me sips of his coffee, too, and my uncle, Leif Dahl, always told me it would make my blond hair turn black. After every few sips of coffee I’d go run and look in the bathroom mirror...
One night in our home in Rolette, my mother hung up the phone, sobbing. She’d just spoken to my aunt, Lenore. Boob was dead. He’d been killed that afternoon in his gyrocopter.
“In his blame gyrocopter!” my mother sobbed as though scolding Boob himself for being so foolish as to fiddle with something so dangerous.
“How did it happen?” Dad asked Mom, gently. We were all in the kitchen and dining room. Mom had been washing dishes, and Dad was drying.
“Apparently he got tangled up in some power lines and crashed in a wheat field east of his place. Oh, just imagine! All those blades must have cut him up something awful. Poor Boob! And then the electricity... I guess when the sheriff got there, all he could find of Boob was that damn copter and his boots. Otherwise it was all blood. Blood everywhere!
Dad cut a look at my sister and me, both of us staring in hang-jawed shock. “Yvonne, the kids don’t need to hear this!”
Mom looked at us, then, too, tears dribbling down her cheeks. “Pete, you remember, Boob—don’t you? The guy who always dunked his donuts in his coffee? He’s dead!
“Yvonne!” Dad cried in defeat.
I stared at my mother in horror, my heart shrinking, my insides recoiling at the grisly picture of blood and steel-torn flesh that she’d just painted for us. I couldn’t quite wrap my mind around the idea of death, but I could see as though in Cinemascope that bloody wheat field and the big, affable Boob Keller cut to bits in it. And his boots.
I was only a little older when she recounted the tale of a bloody car accident that happened when her family was living in Noonan, North Dakota, and she was going to high school. Two teenage boys and a teenage girl who “ran” with one of the boys were drinking and driving too fast on the highway, and rolled their car several times in a ditch. They were thrown from their vehicle and killed instantly. 
Apparently, there was no undertaker in Noonan—or at least none like we have today. Someone drove his pickup out to collect the teenagers’ bodies and deliver them to their families. When the pickup was parked outside the home of one of the dead, Mom and several friends walked over to the pickup to have a look.
Mom gasped and rolled her head and eyes, the way she always did when recounting such a delightfully ghastly event. “Oh, my gosh—you should have seen it. No, I wouldn’t even want you to see such a thing, and I hope you never do! This was before safety glass. The cars back then had real glass in the windows. Imagine that—real glass! And of course no one wore seatbelts. Well, you can just imagine how badly those boys and that poor Candace Syvertsen were torn up. I recognized Candace by her long hair. But the boys--hah! I remember that one had dark hair and one was a towhead, but after going through those glass windows there was no way you could tell them apart!”  
Over the years I learned in vivid detail about drownings, electrocutions, farm accidents, plane crashes, stabbings and other murders, and even about the death of one of my young friend’s mothers who had gone into the hospital for a simple surgical procedure and ended up dying from a blood clot.
“Dead at thirty-four!” my mother lamented, bawling after learning the news from a neighbor. “She left three little boys and a little girl. Just think, Pete—Julius’s mother is gone! She was younger than I am. That poor boy. Who’s going to raise that family now?”
Mom really drove that one home. The possibility of my mother’s demise haunted me for a long time, keeping me awake nights. 
Another one that troubled my dreams worse than any bogeyman was the retelling of a shooting accident. Two teenage boys and their father, Dale Westemyer, went out hunting deer one fall afternoon. While they were walking through a grove of trees looking for whitetails, another hunter mistakenly shot Dale.
The Westemyer boys and the hunter who’d shot Dale got the wounded father into his pickup and drove him to the nearest doctor. But they were too late. Dale had died on the way to town.
“Just think if something so terrible ever happened to Dad!” Mom cried. “Oh, it’s even too awful to think about!”
But of course I thought about it. For many nights on end. It was as though the void was yawning over me, threatening to suck me up out of my bed and smother me under its wicked wings. Or worse—kill my parents and leave my little sister and me to wander alone in a horrifying world plagued with sudden and arbitrary tragedies.
Sometimes I thought that by relating such violent and chilling events so vividly Mom was being malicious. That she was purposely trying to scare the hell out of us. Sometimes, after some close calls we ourselves experienced on life’s perilous highway, she seemed to enjoy horrifying us even further with what might have happened. Like when we were on vacation out West one summer and a car plowed into the little travel trailer Dad was towing behind our Chevy wagon.
The car missed the station wagon completely but it hit the trailer broadside. Suddenly, our little seventeen-foot home away from home was little more than a scattered mess of sticks and paper plates and cups in a ditch. Mom turned around to look out the back window, eyes wide in horror.
“Oh god, oh look, kids—what if one of us had been riding back there? There’d be nothing left!
Having had time to think about it for more than a few years, in the seventeen years since she died, I don’t think Mom was trying to traumatize us. I think that in her emotional ignorance she was trying to vent and thus purge herself of her own often-overpowering anxiety. True, she did often scare the hell out of us, and her reasons seem a little psychotic and selfish as well childish to me today. I doubt that any current books on parenting would sanction such loss of self-control. 
But my mother was raised during tough times in western North Dakota, on what was essentially still the American frontier in the 1930’s and 40’s, where people died tragically, unexpectedly, and in often grisly ways. My mother’s own father, whom I am named after, drowned after being electrocuted by a water pump at the bottom of a flooded strip mine. Mom and her twin sister were only seventeen at the time, and they’d worshipped “Daddy” as though he’d been a god.
Only a few years later Mom’s oldest brother, Delbert “Bud” Meyer, died near the same mine his father had drowned in. From a mine office window, Bud saw a coal car rolling free on its tracks, and ran out to stop it. Bud climbed onto the car to try and set the brake, but he fell to his death under the heavy iron wheels.
“Cut in two,” was how one of my uncles told it.
No, Mom wasn’t malicious. She was getting all of that off her chest in the only way she knew how. By sharing it. It wasn’t her fault she had a vivid imagination and a way with words. Hell, I do the same thing for a living. 
###

Friday, April 22, 2016

LAST STAGE TO HELL: Lou Prophet, Bounty Hunter now available on Amazon!



FROM THE KING OF THE SEXY, VIOLENT, FAST-PACED, HARD-DRIVING, ALL-ACTION WESTERN!

After another long, wild chase after badmen, Prophet and his sometime-sidekick and lover, Louisa Bonaventure, fork trails. Prophet heads to Denver to stomp with his tail up. He doesn’t realize, however, that the pretty young vixen who lures him to her hotel room is none other than the governor’s daughter, Clovis Teagarden. And that she’s only sixteen...

After the night they’d spent together, he’d thought she was twenty-five going on forty!

Run out of town with a charge of rape dogging his heels, Prophet opens a letter a liveryman had given him. The letter is from his old friend, Margaret-Jane Olson, or Lola Diamond, as she was called in her acting days. (See The Devil & Lou Prophet.) Lola was in trouble the first time Prophet met her, and she seems to be in dire straits again. She needs Prophet’s help.

Since the bounty hunter suddenly finds it necessary to get as far from Denver as possible, anyway, he hops the stage in Cheyenne for the little town of Jubilee, where Lola Diamond now resides, in the wilds of western Dakota. On the coach he finds himself in the company of a beautiful Indian princess who was raised as a white girl by a white rancher up near Jubilee.

He also finds himself in the middle of a shooting war, the likes of which he’s never seen...

He has no idea who’s doing the shooting or why. After everyone on the coach except himself and the Indian girl have been murdered, he and the girl are on their own and must run a gauntlet of kill-crazy gunslingers who seem hell bent on keeping them from reaching their destination.

Next stop: HELL!

From the book:

The blast was deafening inside the coach. Flames spat from the Richards’ right barrel toward the man aiming his Winchester through the window. The man’s head turned bright red as it was torn off his shoulders and thrown a good five feet straight up in the air.

The man’s headless body triggered the Winchester into the coach. The bullet tore into the left arm of Johnny Wells, causing the dead man to jerk once more.

The other man, on the coach door’s left side, widened his eyes and thrust his own Winchester through the window left of the door. Prophet tripped the gut-shredder’s second trigger and made both men who’d come to investigate the coach’s contents a matching pair of headless, blood-spewing, Winchester-wielding corpses.


TAKE A LOOK HERE ON AMAZON

Tuesday, April 12, 2016

COMING HOME TO THE PAST


COMING HOME TO THE PAST

When driving around my hometown of Fergus Falls in western Minnesota (pop. 13k, give or take), and find myself on the town’s south end, I have an almost irresistible urge to turn left onto County Highway 210, just beyond the car wash and the Buick dealership on the right and where UBC used to be on the left, and drive eastward past Nature’s Garden World and Wall Lake into the rolling, wooded hills spotted with lakes and ponds glittering like sapphire jewels set in oak and birch woods and bristling with barns and silos...back to the little calendar-picture farmstead nestled inside a shelter belt swaddled by sloping corn and wheat fields a quarter mile from Fisk Lake...back to the white farmhouse and red barn shaded by oaks and box elders that for eight years I once called home.
Back to where, as I drive a quarter-mile along the gravel section road, take a left, and drive another hundred yards along another section road toward the shelter belt, I know in seconds I’ll see a passel of black-and-white mutt collies skip-hopping and tail-wagging down the sloping driveway to greet me.
They’ll run down through the trees, barking and nipping each other playfully then splitting into two groups to turn and follow my pickup up the slope and into the yard. One will grab a deadfall branch and shake it or taunt one of the others with it.
I’ll park under the big oak by the propane tank and the two rusty wagon wheel vine trellises abutting the mouth of the ancient sidewalk. I’ll open the pickup door, and Buck and Thor will take Stella to the ground, pretend-mauling her because they pretend-maul their mother when they get over-the-moon about something as momentous as either or both my wife and I returning home after a brief trip to town. Buck and Thor’s fun will end abruptly when Stella has enough of their high jinx, and throws a nasty though brief tantrum that will leave them both just as briefly shaken and sheepish.
Whereupon they will turn their attention to me or Gena. Along with Stella and their unabashedly abusive father, Old Shep, they’ll make it nearly impossible for us to walk to the house, blocking the path with their wriggling bodies and wagging tails, barking crazily all the way along the sidewalk curving around to the crumbling concrete step fronting the new metal storm door we bought at Fleet Farm, replacing the old, splintering wooden door with its bulging, rusty screen. This skirmish is all the more hectic and even maddening when we’re trying to get groceries into the house, but also fun in a way, because we love our dogs (we were one of those couples who chose dogs over kids) and, in a vague way in our youthful hearts we sense even in the midst of life’s full flower how fleeting the blossom will be.
And it was...
Now, twenty years later, when I’m tooling around the south end of Fergus, I resist the urge (most times, anyway) to drive out that way, toward that calendar-photo farm, because, as much as I want the years to have not passed and for life to be the same as it was then, I don’t live there anymore.
I left the dogs’ ashes in Colorado. I left my ex-wife in Colorado, as well, and moved back to western Minnesota, to the area that is as much a home to me as anywhere I’ve ever lived. That’s the problem. I’ve lived so many places, starting back when I was a mere baby—mostly small towns in North Dakota, but then on to Arizona, Montana, and Colorado—that no one place stands out as more of a home than does the old farmstead in Minnesota where I lived for eight years, married and with four dogs and a cat and--for a couple of those years--chickens, turkeys, ducks, and geese.
I would like to have the Colorado years back, as well. Those were good years, too. Most of the thirteen, anyway. I guess it’s good that I can look back fondly. Maybe it’s the sign of a life well lived. I can only hope I’m still living it well, so that I’ll look at these current years as fondly as the others.
I think I am, so maybe I will. I moved back here with an elderly rescue dog, a brown and white Australian shepherd named Sidney. I bought a house that I’d spied on a website while still in Colorado. I remembered visiting the place when we lived here before, and liking it. Friends had owned it then, and they’d invited Gena and me over one night for supper. I remember we watched the movie, Amelie.
The house is a little brown stucco bungalow at the end of a dead-end gravel road in the heart of town. (I had always thought that if I ever lived in town again after nearly thirty years in the county, it would have to be at the end of a dead-end gravel road.) Voila—I’m here! While I’m close to my neighbor to the east, Roberta and I have become good friends, almost like family, and there’s a big empty, wooded lot to the west. So I have plenty of room to stumble around here, being half-nuts and writing my western novels and doing whatnot, including brewing beer out in my garage with my friend Bill, whom I first met way back in the fifth grade when my family lived nearby in Wahpeton.

Sydney died four days ago. While I’m still numb from her passing, like what the old John Denver song says about losing a friend, I’m going to keep the memory. I’m keeping a lot of them. Sorting them out, day by day. The longer I live the more I realize our lives are almost all memory. The mind—my mind, at least--is a vortex of recalled associations colored by varying degrees of emotion—some of it sentimental emotion, some of it as real and honest as a falling-down barn.
That’s the kind of emotion, the result of a life well lived or at least well examined, which makes us most human.
So I’m here now, present inside a memory. I’m a little confused at times, because there is so much here in Fergus that reminds me of the past and the person I used to be, and the people and animals that comprised my life back then. Sometimes my mind is made up of overlying images from different decades. But mostly I’m working it out, not driving out overly often to that calendar-photo farm to stare at that shelterbelt from the main highway and pine for the past, but walking this new neighborhood with old Syd--even if she is only a memory now, too--creating a new one.