I've probably read this newpaper article by the great WWII war reporter, Ernie Pyle, a thousand times. It captures everything I look for in good reading, and it's what I try to put into my own writing--a conversational voice, cinematic clarity, and a call to the human heart.
Everything Pyle wrote is good, but this represents him at his best.
After I first read this may years ago, I went back and read everything he wrote, and I'm reprinting it here today because I was reminded of ole Ernie when I saw that the movie based on his greatest book, THE STORY OF G.I. JOE, was on TCM. Excellent movie, too. In it, he's played by Burgess Meredith, who really does look like him.
Ernie Pyle, a shy farm boy from Indiana, is probably best remembered as a war reporter, but he was a great travel writer, too--traveling around the American West in his pickup camper for months, even years at a time. Sometimes with his wife, Jerry, who suffered from manic-depression. But whenever I think of or read Ernie, I just think of one of the greatest writers of any brand this country has ever produced.
He died way to early, the victim of a sniper's bullet, during one of the last battles in the South Pacific.
Like I said, here he is at his best:
The Death of Captain Waskow
by Ernie Pyle
AT THE FRONT LINES IN ITALY, January 10, 1944 - In
this war I have known a lot of officers who were loved and respected by the soldiers
under them. But never have I crossed the trail of any man as beloved as Capt.
Henry T. Waskow of Belton, Texas.
Capt. Waskow was a company commander in the 36th
Division. He had led his company since long before it left the States. He was
very young, only in his middle twenties, but he carried in him a sincerity and
gentleness that made people want to be guided by him.
"After my own father, he came next," a
sergeant told me.
"He always looked after us," a soldier
said. "He’d go to bat for us every time."
"I’ve never knowed him to do anything
unfair," another one said.
I was at the foot of the mule trail the night they
brought Capt. Waskow’s body down. The moon was nearly full at the time, and you
could see far up the trail, and even part way across the valley below. Soldiers
made shadows in the moonlight as they walked.
Dead men had been coming down the mountain all
evening, lashed onto the backs of mules. They came lying belly-down across the
wooden pack-saddles, their heads hanging down on the left side of the mule,
their stiffened legs sticking out awkwardly from the other side, bobbing up and
down as the mule walked.
The Italian mule-skinners were afraid to walk
beside dead men, so Americans had to lead the mules down that night. Even the
Americans were reluctant to unlash and lift off the bodies at the bottom, so an
officer had to do it himself, and ask others to help.
The first one came early in the morning. They slid
him down from the mule and stood him on his feet for a moment, while they got a
new grip. In the half light he might have been merely a sick man standing
there, leaning on the others. Then they laid him on the ground in the shadow of
the low stone wall alongside the road.
I don’t know who that first one was. You feel small
in the presence of dead men, and ashamed at being alive, and you don’t ask
silly questions.
We left him there beside the road, that first one,
and we all went back into the cowshed and sat on water cans or lay on the
straw, waiting for the next batch of mules.
Somebody said the dead soldier had been dead for
four days, and then nobody said anything more about it. We talked soldier talk
for an hour or more. The dead man lay all alone outside in the shadow of the
low stone wall.
Then a soldier came into the cowshed and said there
were some more bodies outside. We went out into the road. Four mules stood
there, in the moonlight, in the road where the trail came down off the
mountain. The soldiers who led them stood there waiting. "This one is
Captain Waskow," one of them said quietly.
Two men unlashed his body from the mule and lifted
it off and laid it in the shadow beside the low stone wall. Other men took the
other bodies off. Finally there were five lying end to end in a long row,
alongside the road. You don’t cover up dead men in the combat zone. They just
lie there in the shadows until somebody else comes after them.
The unburdened mules moved off to their olive
orchard. The men in the road seemed reluctant to leave. They stood around, and
gradually one by one I could sense them moving close to Capt. Waskow’s body.
Not so much to look, I think, as to say something in finality to him, and to
themselves. I stood close by and I could hear.
One soldier came and looked down, and he said out
loud, "God damn it." That’s all he said, and then he walked away.
Another one came. He said, "God damn it to hell anyway." He looked
down for a few last moments, and then he turned and left.
Another man came; I think he was an officer. It was
hard to tell officers from men in the half light, for all were bearded and
grimy dirty. The man looked down into the dead captain’s face, and then he
spoke directly to him, as though he were alive. He said: "I’m sorry, old
man."
Then a soldier came and stood beside the officer,
and bent over, and he too spoke to his dead captain, not in a whisper but
awfully tenderly, and he said:
"I sure am sorry, sir."
Then the first man squatted down, and he reached
down and took the dead hand, and he sat there for a full five minutes, holding
the dead hand in his own and looking intently into the dead face, and he never
uttered a sound all the time he sat there.
And finally he put the hand down, and then reached
up and gently straightened the points of the captain’s shirt collar, and then
he sort of rearranged the tattered edges of his uniform around the wound. And
then he got up and walked away down the road in the moonlight, all alone.
After that the rest of us went back into the
cowshed, leaving the five dead men lying in a line, end to end, in the shadow
of the low stone wall. We lay down on the straw in the cowshed, and pretty soon
we were all asleep.
Wow! I recently watched Ken Burn´s "The War" where Ernie Pyle was mentioned, so I knew whom you meant. But I never read a word of his. Thank you.
ReplyDeleteIf you compare this to today´s CNN-style of reporting or your average newspaper writer, you could despair.
Very powerful writing. Thanks. Those last words, so matter of fact after a scene of such intense emotion. They acknowledge that any attempt to express the true magnitude of other men's losses is useless.
ReplyDeleteNothing short of perfection. Thanks for posting this.
ReplyDelete