Sunday, March 6, 2016

THE WILD ONES--A WESTERN DUO NOW AVAILABLE AT AMAZON



STILLMAN’S WAR
By
PETER BRANDVOLD

ALL NEW FROM THE CURRENT KING OF THE SEXY, HARD-DRIVING, FAST-MOVING WESTERN ADVENTURE!

When Sheriff Ben Stillman’s deputy and best friend, Leon McMannigle, shoots a young woman who was about to shoot Stillman in the back, Leon takes the outlaw girl’s lifeless body back to her mountain ranch to turn her over to her family. He feels the need to explain himself, to personally account for the girl’s death.

His explanation falls on deaf ears. Old Watt Hollister sends his wild sons led by his eldest boy, Nash, out on the trail to exact revenge for their poor dead sister. Wounded, McMannigle is alone and on the run in the Two-Bear Mountains, hunted like a calf-killing mountain lion!

Ben Stillman isn’t at all happy when he gets wind of his friend’s fate. In fact, when you mess with Stillman’s friends or his family, it’s damn well guaranteed you have all-out war on your hands.

ONCE AGAIN, ALL HELL IS BREAKING LOOSE ON THE HI-LINE!

BLOOD TRAIL OF THE HORSETOOTH WIDOW
By
FRANK LESLIE

When the drifting half-breed, Yakima Henry, stops in the little town of Horsetooth for a drink to cut the trail dust, he ends up killing a saloon owner and bedding the dead man’s beautiful wife.

A man just can’t help himself when assaulted by the wiles of the beautiful Mexican seductress, Paloma Collado . . . the former Mrs. Clancy Brewer.

But it turns out that the lovely Paloma already had a lover—one who’d just robbed an Army payroll and after being scalped and blinded in one eye by Apaches, hid the loot somewhere in the Chiricahua Mountains. And she wants Yakima to help her find it.

THE WILDEST, SEXIEST, BLOODIEST FRANK LESLIE NOVEL YET!



Monday, February 15, 2016

Sequel to The Devil's Bride--THE DEVIL'S FURY--Now Available at Amazon...


THE SEQUEL TO THE DEVIL’S BRIDE IS HERE...

“Lou Prophet and Mathilda Anderson, I now pronounce you man and wife!”

Getting hitched in Colorado is one of the last things Lou Prophet remembers before he finds himself stumbling around the Mexican desert with a bloody gash in his head and a small army of Mexican cutthroats hot on his trail. The mercenaries are being led by a stubborn Pinkerton detective named Wolcott.

Wolcott is looking for the stolen train loot that Prophet had been supposed to return to the U.S. Marshal in Denver.

But that was before the bounty hunter got married. Before he was supposed to live happily ever after with the charming, beautiful mail-order bride, Mattie Anderson, whom he’d met in the Colorado Rockies while retrieving the loot in question from the outlaw Frank Beauregard.

Now Prophet is stumbling around Mexico, dodging bullets and bad men and trying to find out just how deep a hole he dug for himself when he said “I do.”

Maybe Louisa Bonaventure, the Vengeance Queen herself, can help the confused and badly battered bounty hunter make some sense out of the mess his marriage and his life have become...and find the woman and the loot before the diabolical rurale, Colonel Rafael TeviƱo Quintero, can turn them all toe-down in a Gatling gun hail of deadly Mexican lead!

From the book:

“Cuttin’ it a little close, maybe,” Prophet muttered, leaning his rifle against the rail to his right.
A dove-colored cloud of jostling shadows ran outward from the post house, flames lapping from pistols and rifles. A couple bullets chewed into the rail around Prophet’s tower. A couple more plunked into the underside of the brush roof above the bounty hunter’s head. One spanged off the housing of the Gatling gun just as Prophet reached for the handle.
He jerked his hand back as though from a hot stove, then grabbed the gun, raised its brass snout, slanted it down toward the oncoming crowd of yelling rurales, and turned the crank.
As the machine gun commenced roaring and lighting up the area around the tower, spitting red flames, a similar roaring kicked up from the tower to Prophet’s left. The bounty hunter turned the crank and swiveled the canister from left to right and back again, grinning in satisfaction as the rurales were blown off their feet and sent rolling in the dark dust, bellowing and cursing.
Prophet glanced toward the Kid’s tower, grinning again as he saw jets of fire licking out into the night from beneath that tower’s thatched roof, pale smoke wafting thickly. Prophet hadn’t fired a Gatling gun in years, and the thrill of it caused him to cut loose with ripping Rebel yells as he gritted his teeth and turned the crank over and over again...until the gun clicked and fell silent.
The clip poking up from the canister was empty.
A few seconds later, the Kid’s gun stopped hiccupping, as well.
Prophet’s blood was up. “Take that, you demon-worshippin’ dogs!” he shouted, reaching for his rifle.

Saturday, February 6, 2016

The Devil's Fury: Sneak Peek!


Chapter 1 

THERE IS NOTHING quite like the ratcheting snarl of a coiled diamondback to send fear into a man like a hot Apache war lance being driven into a hot, still-beating heart.
Friends and relatives...if there are any relatives here...we have gathered here today at the invitation of Louis Hammond Maxwell Prophet and Mathilda Lenora Anderson to share in the joy of their wedding...
The sound is something akin to coarse sand being poured slowly out of a hollow gourd and the ratcheting click of a gun hammer being drawn back to full cock. If you could marry those sounds and give them two beady copper eyes, flat with passionless savagery, two long curving white fangs, and a flicking button tail rising from the end of a serpentine body coiled like cold, scale-covered, sand-colored hemp, you’d have the very essence of what a man fears most in this world...the essence of what jerked Lou Prophet out of a dead sleep in the Mexican desert with a yelp.
This outward celebration that we shall see and hear is an expression of the inner love and devotion that Louis and Mathilda have in their hearts toward one another...
Prophet turned to see the copper eyes glowing at him from a dark nook in the nest of volcanic rock he’d holed up in. The viper was coiled tightly, looped upon itself, head sliding slowly toward where the bounty hunter slouched against the rock, blood running down from the deep gash in his forehead, into his right eye, and down his cheek. He couldn’t see through that eye. Only the left one.
That wasn’t good. Being right-handed, he was also right-eyed.
I, the Reverend Ezra Thaddeus Waggler, believe marriage is of God, and that Mathilda Anderson and Louis Prophet have come here today to stand before me and God who is truly Holy, desiring to be united in this sacred relationship of marriage...
Slowly, Prophet slid his Colt from the holster thonged on his right, denim-clad thigh, and, oh-so-very-slowly, pressing his tongue taut against the backside of his cut and swollen bottom lip, clicked the hammer back.
As he did, he kept his eye on the snake, which kept both eyes on him. The snake’s forked, colorless tongue tested the hot desert air, following the tongue toward its target, which was likely the vague, sunburned shape of a man and the smell of several days of desert sweat and soiled buckskin and denim and the spine-splintering fear of certain death...or something worse than death.
Now, Mister Prophet, Miss Anderson, will you please turn and face one another and join hands to express your vows of love and devotion each to the other?
The diamondback shook its button tail again.
“I, Lou Prophet, take you, Mathilda Anderson, to be my wife...”
The revolting sound turned Prophet’s blood cold. He stretched his lips back from his teeth as he slid the cocked Colt across his belly toward his left side. The snake was coiled in a nook behind the bounty hunter, over his left shoulder. He could see the viper in the corner of his left eye. It moved its head and slithering tongue forward, forward...ever closer...
“...to have and to hold from this day forward, for better or for worse, for richer or for poorer...”
The bounty hunter knew the serpent would strike at any second. He had to get the gun across his body and aimed behind him before he did. A snakebite on top of his other sundry injuries would without a doubt be the last nail in his already sanded and varnish proverbial coffin.
“...in sickness and in health...”
Boom! Boom! Boom-Boom! Boom!
 Prophet had fired half-blind, afraid to make any sudden moves lest the viper should sink those razor-edged fangs into his left shoulder. Now, as the echoes of his gun reports still banged around inside his battered head, he turned to see the snake in several ragged, bloody pieces behind him. The head was still opening and closing its mouth, as though chewing something, and the button tail was still writhing.
But for all intents and purposes, the beast was dead.
“...in sickness and in health, I promise to love and cherish you.”
From somewhere around the rock nest, a man’s distant shout made its way to Prophet’s ringing ears. His shots had alerted his hunters to his position.
“Ah, damn...”
Wincing against the rotten-egg odor of powder smoke, he punched out the spent shell casings and replaced them with fresh from his shell belt. More shouts rose on the hot Mexican wind. The shouts were in Spanish.
Running footsteps grew louder. Spurs rang. A boot kicked a rock. The rock rolled past where Prophet was hunkered down in the stone outcropping rising up from a spur of a remote Mexican mountain range.
I, Mathilda Anderson, take you, Lou Prophet, to be my husband...
Prophet flipped the Colt’s loading gate closed and spun the cylinder as a stocky Mexican in deerskin charro slacks and calico shirt came running up on Prophet’s right from around a bulge of sandstone. The man turned his head toward Prophet. His eyes widened beneath the broad brim of his steeple-crowned sombrero.
He brought the two pistols in his hands around as Prophet’s Colt went to work once more, shredding the Mexican’s heart, blowing the bloody bits out his back, and punching him off the edge of the escarpment.

(The complete book, a sequel to The Devil's Bride, will be up on Amazon by February 15!)

Friday, January 29, 2016

Complete List of Pseudonymous Writings by Peter Brandvold


LONGARM as by Tabor Evans

340--Longarm and the Holy Smokes Gang (Mar 2007)
341--Longarm and the Wolf Women (Apr 2007)
343-- Longarm and the Dwarf’s Darling (June 2007)
347—Longarm and the Guns of Fort Saber (Sept 2007)
356—Longarm and the Diamond Sisters (June 2008)
357—Longarm and the Happiness Killers (July 2008)
365--Longarm and the Hell Up North (Apr 2009)
366--Longarm and the Tin Cup Trouble (May 2009)
368--Longarm and the Gun Trail (July 2009)
370--Longarm and the Shotgun Man (September 2009)
372--Longarm and the Pleasant Valley War (Nov 2009)
377--Longarm and the Howling Maniac
381--Longarm and the Santiago Pistoleers (August 2010)
383--Longarm and the Killer Countess (Oct 2010)
386--Longarm in the Lunatic Mountains (Dec 2010)
391--Longarm and the Crossfire Girl (June 2011)
394--Longarm and the Horsewomen of the Apocalypse (Sept 2011)
397--Longarm and the Doomed Beauty (Dec 2011)
402—Longarm and the Hell Creek Lead Storm (April 2012)
Giant 30—Longarm and the Ambush at Holy Defiance (Jan 2013)
408—Longarm the Sins of Laughing Lyle (Oct 2012)
409--Longarm and the Banker’s Daughter (Nov 2012)
412—Longarm and the Cry of the Wolf (Feb 2013)
415—Longarm and Senorita Revenge (May 2013)
417—Longarm and the Diamondback Widow (July 2013)
419—Longarm and the Arapaho Hellcats (Sept 2013)
421—Longarm and the War Clouds (Nov 2013)
426—Longarm and the Sonora Siren (Apr 2014)
427—Longarm and the Coldest Town in Hell (May 2014)

NAVARRO as by Ralph Compton

BULLET CREEK as by Ralph Compton


THE TRAILSMAN as by Jon Sharpe

 298—Man’s Bounty (Aug 2006)
308—Border Bravados (June 2008)
314—North Country C Dead utthroats (Dec 2007)
316—Beyond Squaw Creek (Feb 2008)

Thursday, January 14, 2016

On Openings

MY LAST THREE STARTS

I used to struggle with openings. But since I’ve been writing a book a month for the past couple of years, since I’ve been mainly writing 40k word novels and self-publishing on Amazon, I don’t struggle with openings nearly as much as I used to.

I’ve figured out what I like. I like to open with action. Not just action, because a saddle tramp riding into town and having a look around could also be called action. I like violent action. Or at least swift action. Visual action.

Note, however, that I don’t mean action to the exclusion of some description and even some background information, or exposition. One element of fiction can hardly ever stand alone for long without making the writing one-dimensional. But generally I like openings that begin with high-stakes movement.

Here are the openings of my last two action-westerns, The Devil’s Bride and Fatal Woman (as by Frank Leslie), as well as my current book-in-progress, The Devil’s Fury, respectively:

As the stagecoach abruptly slowed, the driver bellowing profanely at his poor horses, Mathilda Anderson, formerly of St. Paul, Minnesota, flew forward off her stagecoach seat and nearly ended up in the lap of the burly gent sitting across from her.

The scream cut through the frigid mountain night like a razor-edged stiletto tearing through naked flesh.
It was a high-pitched wail crackling with stark human agony.
Clay Carmody dropped the load of firewood he’d been about to carry into the remote line shack, and jerked back with a curse...

There is nothing quite like the ratcheting snarl of a coiled diamondback to send fear into a man like a hot Apache war lance being driven into a barrel of warm lard.
Friends and relatives...if there are any relatives here...we have gathered here today at the invitation of Louis Hammond Maxwell Prophet and Mathilda Lenora Anderson to share in the joy of their wedding.
The sound is something akin to coarse sand being poured slowly out of a hollow gourd and the ratcheting click of a gun hammer being drawn back to full cock...

That last example looks a little weird, taken “out of context” as the clichĆ© so favored by current sports heroes and politicians goes, but what I’m doing there is mixing violent action—a diamondback ready to strike our hero, Lou Prophet—with the vaguely remembered words of Prophet’s wedding ceremony, which was the start of a whole world of trouble for our trouble-plagued ex-Confederate bounty hunter.

As a reader I also like to start reading with violent or at least fast-moving visual action. I won’t not start reading a book that opens with dialogue or description as long as the dialogue and description don’t go on for too many paragraphs and I’m guessing the book will get better later on. Call me impatient, but I like to know what’s at stake from the start, and I like the thrill of movement. I think that opening a novel, especially an action-novel, which is what I write, is the best way to do that.

I think I probably learned early that I preferred action best from reading none other than good old Ernest Hemingway. Here are the openings of two of my favorite Hemingway short stories that begin with action. Not violent action, to be sure, but crisp, clean, visual movement that give a sense of the high-stakes ahead.

from “Cross-Country Snow”:

The funicular car bucked once more and then stopped. It could go no farther, the snow drifted solidly across the track. The gale scouring the exposed surface of the mountain had swept the snow surface into a wind-board crust. Nick, waxing his skis in the baggage car, pushed his boots into the toe irons and shut the clamp tight. He jumped from the car sideways onto the hard wind-board, made a jump turn and crouching and trailing his sticks slipped in a rush down the slope.

from "Indian Camp":

At the lake shore, there was another rowboat drawn up. The two Indians stood waiting.
 Nick and his father got in the stern of the boat and the Indians shoved it off and one of them got in to row. Uncle George sat in the stern of the camp rowboat. The young Indian shoved the camp boat off and got in to row Uncle George.
The two boats started off in the dark...


Wednesday, January 13, 2016

New Revenger Now Available at Amazon!


THE WILDEST, SEXIEST, MOST WILDLY VIOLENT ADULT ACTION WESTERN SERIES GOING!

Saddle up and ride the wild trails of the old frontier with the Revenger, Mike Sartain, as he rights wrongs for people who can’t right the wrongs themselves...and loves women with all the passion he was taught by the lovely doxies who raised him, an orphan, in the French Quarter of New Orleans...

REVENGER #10: FATAL WOMAN

Olivia Rosen is a single mother. When her only child, five-year-old Edgar, is murdered by the Lute Lawton Bunch during a train robbery, and Olivia is kidnapped by Lawton and repeatedly raped and then discarded like trash along the trail, she requests the help of the Revenger. Only, she wants to ride along with Sartain and help him wreak the vengeance the Lawton Bunch so desperately deserves.


A loner, Sartain doesn’t normally operate that way. But Olivia Rosen offers the Revenger a bribe he can’t refuse: herself.

Check it out at AMAZON